This film poster includes various
successful elements of media. This is very important as many audience members
observe the film according to the poster, as this simply portrays first
impressions.
The audience primarily captures the bold,
strong text in the center of the poster. For example ‘the Holiday’, this is effective
as it allows the viewers to have a clear understanding of the name of the film
and to notably remember it. Similarly above the title, the important use of
actors and actress’s names highlight high standard acting. Normally the
audience recognises names and this enables them to want to watch the film and
it allows them to feel an immediate connection. For instance, we clearly see
this through the effective use of two essential images.
The use of cinematography is very
effective, although this only shows a microcosm of two still images of the
film, similarly we can clearly guess the mood or genre set through these
creations. The close up of the two separate people, whom the audience assume
are couples both use uplifting positive facial expressions and heightened
posture, implying this film could be a comedy or seek happiness at sometime in
‘the Holiday’. The two couples are positioned close together suggesting to the
audience that there might be two romances included in the film. We notably seek
the two different personalities between each couple through the simple device
of eye contact. For instance, in the first image the actor is looking down
showing no direct eye contact towards his partner, however the actress is
looking at him; personally, this could show a complicated or confused
relationship as they are not looking into each other’s eyes lovingly but we can
only assume ideas at this point. However, in the second image, both characters
are using direct eye contact and we feel a strong connection between the couple
underlining a happier, healthier relationship.
The subtle colours used in the images are
very appropriate and we appreciate the successful use of mise en scene,
resembling ordinary everyday costumes, as many audience members can relate or
recognise them, implying they could become more familiar or feel more
comfortable within their selves. Although there is no use of bright colours so
viewers cant assume assumptions.
The composition of the poster is laid out
very simply, showing an effective successful use of proxemics, allowing the
audience to gain a clear understanding and have no distractions from key points
and events. I appreciate the blank, clean white background as it compliments
both the text, creating the text to stand out and the images showing contrast
where appropriate.
The lighting used in the poster is very
bright and complimentary, and is focused on the characters faces to emphasize
their facial expressions as well as maybe suggesting purity or positive
effects. The background is darker to highlight the main focus is on the
characters, although the director might not want o hint too much about the film
or set the scenes.
When viewing the poster, we recognize the
small prints. For example, “from the director of What Women Want” and also
another familiar film “Something’s Gotta Give.” From portraying these simple
key words many members of the audience can relate to these films and the poster
shows the successful Director and the credit of what he has achieved. This
could easily make viewers want to watch the film and they automatically feel a
connection appear.
Overall, I feel the poster includes all
essential elements needed and makes members of the audience asking many
questions and leave them longing to watch the film. Personally, the effective
use of mise en scene helps the audience to figure out the target audience, I
feel it is not aimed at young people, although the poster does not show any ratings
included. However, I feel they could of varied the camera shots, for instance,
they could of used an over the shoulder shot or zoomed out so we could seek
more detail within the image. But both the images used are very effective and
highlight a clear positive attitude towards the audience.
No comments:
Post a Comment