loud pleonastic sounds within our thriller.
Lighting
We
considered having the lighting to be dim and subtle to build immediate,
automatic tension throughout. Potentially a small light would be ideal to give
the idea of darkness and it will change the way, some audience member’s
perspectives, instead of having a bright, harsh flashing light.
Props
For
our props, we are only using a padlock and several keys. We are considering whether
to use modernised normal keys or old ancient keys. The point in using the keys
are for the actor to panic more easily and this leads to him dropping the keys
as he is constantly fumbling to find the right key. He will begin to become
very frustrated and signs of fright will appear, as his hands will become slightly
shaky.
My
group and I have considered using sounds throughout such as a soundtrack of non-diegetic
sound, for example, a heartbeat or a beat to add an increasing dramatic effect.
This will keep playing with the audience’s minds and keep them alert for
anything to happen, as the sounds will increase at tense moments in the
thriller.
Ending
The
opening sequence could finish in many different ways, for instance, firstly he
could just find the correct key and escape from the room just in time, allowing
the audience to see an outside space when he has opened the door; or the
audience could see another room the same size with exactly the same set up of
keys as the pervious room he has just escaped, so therefore he will have to
find the correct key again to escape the next room. Or differently, he could
open the door and he could just be met with a concrete wall, showing there was
no way of him escaping anyway even if he hadn’t found the correct key. Or
lastly, it could end with him turning the key but the audience is left without
knowing if he will escape or not as the thriller will cut off before the door
opens, leaving audience members asking thrilling questions.
We will
continue developing our ideas and specific details to produce more information
for our pre-production information.
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