Script
Looking back at our target audience, I understood my target audience falls between the ages of 15-25. I realised it is crucial to attract, address and assemble your target audience successfully for a film. For example, to meet the correct, successful demand, the conventions used in a thriller should be what the audience expect. From achieving this and meeting
expectations the response will be positive and beneficially express successful
comments overall.
Firstly,
there are many pleasures my target audience can hopefully take from my opening
sequence. For example, from our thriller the general thrills conveyed are
forced because of the anxious, tense and suspense aspects of the storyline,
which build up throughout, this usually alerts people to feel nervous but still
seize a thrilling and gripping pleasure. As well as this, the increasing sound
effects help drive pleasurable appeals for my target audience as they are
engrossed by appropriate and tense build ups.
I felt
for this specific question the ‘Uses of Gratifications Theory’ helped me to
understand the appeal of popularity to mass communication of our thriller. The
study state focuses on the phrase ‘what people do with media’ rather than ‘what
media does to people’ highlighted by Katz in 1959. The theory takes
control of ‘Identity’, to ‘Educate’, to ‘Entertain’ and the ability of ‘Social
Interaction.’
From
researching this theory, I understand the active role members of the audience
take on and try and interpret and integrate this into their own lives and
situations. Therefore, identity is recognised through sequences as it reflects
which values are similar to your own and which role models one aspires to be. I
concluded this could relate to my thriller and connect to our actor. In our
opening sequence, our actor is in his early 20’s and our targeted audience
interest is around this age, therefore audience members can relate to the young
adult and seek themselves in him and his reactions to the situation he is faced
with. This is also another pleasure in which our target audience can offer from
our thriller as they can feel more connected and psychologically relating.
Similarly
from this inspirational theory, the idea to educate audience members is relatable
as they can ‘acquire information, knowledge and understanding’ from our
thriller. For example, as our thriller senses the idea of an individual stuck
in a challenging, isolated situation in which he cannot escape easily from.
This plot can almost be represented as a game in which he should not give up.
This can educate some target audience as they can try and show an understanding
of his situation, which can lead to possibly sympathising with him and even
trying to portray an escape for him. From this theory it can also educate the
acquiring knowledge of understanding and information if audience members have
been in the same unstoppable situation.
In our
opening sequence, it is essential that we tried to convey entrainment for
viewers when watching our thriller. For instance, by the theory covering
entertainment it states ‘what you are consuming should give you enjoyment and
also some form of ‘escapism’ enabling us to forget our worries temporally.’ In
our thriller, we show emotions of frustration, tension, anger, stress, worry
and aspects of hope, we presented all these different emotions to help distract
audience members from their everyday routines and to concentrate on our
thriller. By including this roller coaster of emotions it enables viewers to escape
and enjoy the action of our product.
Social
Interaction similarly plays a big role into getting our opening sequence spread
wider between people as this media product produces ‘a topic of convocation
between other people’ this can lead to sparking a debate. The interaction could
seek between people due to our mysterious ending and the lack of knowledge of
how our protagonist escapes, or if he does.
The
opening sequence that I produced is a thriller and conveys most the conventions
of a typical thriller. For instance, it involves tension and suspense
throughout. Therefore our thriller is not a subgenre, although if it had to be
categorized it would be most suited with an action thriller of a hybrid instead
of a subgenre. In my opinion, the character ‘James Bond’ mainly influenced my
idea to spring and similarly based on research other films have been
influential also for my thriller. For example, ‘Saw’, ‘The Maze Runner’
and ‘Harry Potter and the Philosopher’s stone’ shared and contributed some
general conventions. However, I understand these films are horror movies and
shares fantasy aspects; therefore, our target audience starts to become
different and share different interests and opinions.
Another
key contribute to appealing my target audience would be where I set my
thriller. For instance, we located our thriller inside adding an immediate
sense of mystery, as our audience doesn’t know where is it shot, adding instant
suspicion and this can intrigue the audience. We wanted the audience to feel isolated
as our actor feels, therefore we used dim lighting to force this questioning
feeling. This is important as our thriller seeks aspects of creativity through
the use of props and effects; for example, we used old vintage keys to show age
era and creativity, which is one of our audience’s most popular interests and
can be pleasurable for some. By including hobbies into our thriller, it
immediately encourages, inspires and appeals to more of our targeted audience
through their interest in creative subjects. Also, the use of props helped to
involve and attract my target audience as they some enjoy violent scenes using
weapons, for example, we used sounds of gun shots to show these universal
aspects.
I
found the narrative could also play a big role for reasons of how I attracted
my audience. For instance, our thriller is based around a male protagonist with
a very simple lifestyle and he is fighting to save his sister, as well as
himself. However from trying to save his sister he has to deal with challenging
consequences. Our opening sequence shows the actor trapped in a cell with keys
enclosing around him and one padlock to try and escape; although time is short.
From our story line consisting of an ongoing chase of emotions, action and
thrill, we feel this would appeal to many viewers as there are so many feelings
shown, each person will feel a connection or communication at same point in the
film.
I
wanted to cover media representation through the different social groups I am
appealing to as I feel this attracts viewers. Gender and class and status are
most suitably communicated and portrayed to audience members. For example, our
character wears a clean, neat suit conveying his appreciation to high status
and class and his superior actions. Similarly, the use of props is highlighted
as we see in the opening sequence there are a numerous number of keys and a one
padlock. We quickly see the protagonist realises he needs to find the correct
key to escape from this dangerous situation, this shows he has been through a
journey of good education as he intelligently works out the mission he has to
complete. Therefore from focusing on the social classes represented, it helps
us to attract our audience as some of our targeted audience can relate and
compare their similar classes of society.
I
wanted to include my thoughts as if the main character in our thriller would
have been a famous, inspirational actor; my group and I believe the successful
Dylan O’Brien from the Maze Runner would be most suited for the role. O’Brien
demonstrates a secure captivating understanding of his role and how to act and
respond in the challenging situation he is faced with.
In our
opening sequence, we didn’t use any background music as we didn’t want to
distract the action shown but we felt including different sound effects of
gunshots and doors opening would be more effective. We also agreed silence can
as powerful if not more to build tension and accurate suspense, quoting
‘silence is the most powerful scream.’ Also silence is considered of big impact
especially to add tension to the scene. We increased the volume of our sounds
to captivate the audience more and engage them with the reality of our
sequence. We purposely wanted the sounds to be non-diegetic, as this would
allow our targeted audience to start to question. By the audience questioning
our sound choices, it attracts them to watch more as their curiosity and
mystery will successfully build.
For
our titling sequence, we produced information about who presented our thriller,
which production company was involved and which star name was shown. We understand
the risk of using a non-English title and studio as this can sometimes subvert
to appealing and attracting our targeted audience. This is because young adults
want to watch a film in which they feel and connection to and not one
associating with foreign aspects. However, it can be a positive reflection as
some of our target audience like the new, spontaneous attraction and
challenging a unique, new language. The titles were presented in a clear manner
to appeal our targeted audience, as if our titles were complicated and messy it
could confuse viewers and give negative vibes. A pure black canvas
background was used with white bold writing in the center of the screen
allowing it to be easy to read, attractive and clear.
We
used quick cuts and rapid transitions to heighten the intensity of our
exciting, thrilling and suspenseful thriller. By editing the shots to be quick,
it makes audience members creep to the edge of their seat and this can appeal
to our target audience as many quote ‘they enjoy the feeling of being on the
edge.’ The style of our film is generally a fast paced convention but
effectively builds increasing tension throughout to build a successful climax.
Tension, suspense, frustration and enjoyment are all a major part of our target
audience’s emotions and feelings and by making quick cuts and fast pace
movements it appeals to them more easily. However, some aspects of our thriller
are slower and decreased to even out the balance of our film and to allow our
audience to breathe and take everything in that’s happened. I felt our thriller
would only be successful if our editing skills and techniques are clean and
detail is attended.
Lastly,
I felt the need to remind myself of the typical conventions of a thriller. For
example, low-key lighting, rapid cuts, scenes of violence, tense and
suspenseful music, a villain or hero and diegetic sounds of breathing.
Personally, my group and I used genre conventions, such as rapid scenes of fast
paced action, a suspect of a protagonist showing aspects of diegetic sounds of
breathing and violence. Firstly, my thriller shared similar conventions with
the film 'Saw'. Although, I understand Saw is a horror but both films deal with
unstoppable situations by selecting people who are guilty; this is similar to
my thriller as both characters have to address a mind game.
Similarly,
the film ‘The Maze Runner’ also shares similar conventions to my thriller through
ideas of facial reactions and uncomfortable, difficult situations. However,
in the scene from 'The Maze Runner', our genre conventions challenge theirs as
there are many different characters filling the shot, although in my sequence I
only include the focus of one character. Also my thriller challenged some genre
conventions, for example, I didn’t include background music and low lighting
because I felt it can still be effective without and didn’t need it.
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